The Polio Pond by Ann Alexander
Couldn't get there quick enough,
legs pumping bikes
down nettled alleys,
over bomb sites and the dangerous road,
out of the light
and into this cool spinney, where
a pond of standing water waited,
still as a crouched cat.
We'd heard the polio lived here,
biding its time in mottled dark,
belonging to neither day nor night,
nor any certain thing.
That smell. Sharp underbelly stink.
Breath, in gassy bubbles
pocked the surface, where
a dead bird floated, wings outstretched.
Red ribs of a child's pram, half submerged,
told their tremendous tale.
We threw sticks, threw stones.
Well back, on guard, then inching close,
we stared into its clouded heart,
swore we saw the bloody eye,
the tentacles,
the curled chameleon's tongue.
© Ann Alexander (from the collection Too Close)
A picture of me from the local paper at the Infantile Paralysis Fellowship party in
Wakefield Town Hall 1956, on a rare outing from Pinderfields Hospital.
Wakefield Town Hall 1956, on a rare outing from Pinderfields Hospital.
In 1952 I contracted polio which left me with a paralysed leg. In the 1940s and early 1950s there were major polio epidemics in Britain and naturally there was huge fear around them. The virus was thought to lurk in water and warnings were given out in schools and signs hung in public swimming-pools. As well as The Polio Pond being an excellent poem, a piece of social history and a depiction of the way children are attracted to danger, there was something about the way Ann Alexander portrayed polio as a dangerous beast rather than an invisible virus that I found very empowering.
I used to go to a pond in the overgrown garden of a deserted house, with some children from the village, when I was a child and it reminded me of Ann's pond. At a mythic level, a tale began to unfold in which I had been one of the children who didn't get away in time when the beast emerged. So I was wounded by it and also in a strange way tainted by it - which explained the fear I engendered in other children sometimes, their own fear of disability or fear about how to relate to someone who is not like them perhaps. There is a kind of power in being able to make people afraid, but also I felt curiously strengthened by the feeling that I had encountered the dangerous beast and survived - had more than survived. The poem worked on me on various levels, showing how magical poetry and stories can be. Disability is so often about disempowerment that it's good to have a sense of the opposite in a new way. Here's a draft of my own poem written in response to Ann's (which I have copied here with her kind permission) in which I've taken the story further. I've also implied that hate and cruelty are monstrous too.
Picture by Sulamith Wülfing
The Polio Monster
Biding its time, the pond lay watching,
a bright eye in the tangled waste;
the bars of a gate floated
dismembered and useless,
dotted with pondweed like green confetti.
a bright eye in the tangled waste;
the bars of a gate floated
dismembered and useless,
dotted with pondweed like green confetti.
The children threw stones and gobbets of mud,
their eyes gleamed, reverting to feral
and catching their offerings
the pool gobbled them down,
sent up bubbles signalling relish.
their eyes gleamed, reverting to feral
and catching their offerings
the pool gobbled them down,
sent up bubbles signalling relish.
Strengthened, the monster emerged,
black slime ribboned his scales.
A dark bridegroom, he leered towards them
black slime ribboned his scales.
A dark bridegroom, he leered towards them
and all valour lost, they turned and fled,
except for the one who was left behind.
In the claws' grasp there's no time for fear,
except for the one who was left behind.
In the claws' grasp there's no time for fear,
there's only surrender, the rushing descent
into the tunnel, the muscular throat.
Claimed by the monster the girl becomes It,
into the tunnel, the muscular throat.
Claimed by the monster the girl becomes It,
scales now exchanged for an iron splint,
talons curved to the arch of a wheelchair.
talons curved to the arch of a wheelchair.
Disallowed sticks, the children throw insults;
sticks and stones would break her bones
but words as well could harm her.
Yet where there’s fear there’s always power:
to become what is feared is to move beyond fear.
In the alien form she discovers her might,
feels the rush of sinewy wings
and knows her new world is still the whole world,
the monster now fled to the pools of their eyes.
sticks and stones would break her bones
but words as well could harm her.
Yet where there’s fear there’s always power:
to become what is feared is to move beyond fear.
In the alien form she discovers her might,
feels the rush of sinewy wings
and knows her new world is still the whole world,
the monster now fled to the pools of their eyes.
© Hilaire Wood
If you have enjoyed these poems and would like to know more about the British Polio Fellowship, you can find out HERE and make a donation HERE. If you can, please spread awareness of Polio, a largely forgotten disease which still affects 120,000 people in the UK, and of the work of the Fellowship. Or if you are outside the UK, please find out about how polio affects people in your own country. Thank you!
If you have enjoyed these poems and would like to know more about the British Polio Fellowship, you can find out HERE and make a donation HERE. If you can, please spread awareness of Polio, a largely forgotten disease which still affects 120,000 people in the UK, and of the work of the Fellowship. Or if you are outside the UK, please find out about how polio affects people in your own country. Thank you!
